Eleanor Reissa | |
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Born | |
Nationality | American |
Alma mater | Brooklyn College |
Occupation | Actress, director, playwright |
Website | www |
Eleanor Reissa is an American actress, singer, theatre director, playwright, librettist, choreographer, translator, and author based in New York City. She works and performs in English and Yiddish speaking stages, and also interprets and performs Yiddish theatre and songs.
Eleanor Reissa was born in Brooklyn, New York. However, her parents were born in Poland. During WW2, they were both placed in German ghettos established in occupied Poland, and fought and lived through the Holocaust. In America, they were both considered sweatshop workers. Hence, Reissa studied in the New York City public school system and received her Bachelor of Arts in Speech and Theatre at Brooklyn College, graduating cum laude.[1]
Reissa's directing debut in Broadway garnered her a Tony Award nomination for Those Were the Days, which she also choreographed and starred in. Other New York directing credits include: Cowgirls (1995 Outer Critics Circle Award nomination), Echoes of the War (2005 Drama Desk Award nomination),[2] and The Soldier's Wife (two 2006 Drama Desk Award nominations).[3] In Yiddish, her New York directing credits include: Got Fun Nekome (God of Vengeance), Hershele Ostropolyer (adapted by Reissa), Zise Khaloymes (based on her English language play, Sweet Dreams), and Yoshke Muzikant: The Klezmer’s Tale. Furthermore, she was artistic director of the National Yiddish Theatre Folksbiene for five years.[4]
On Broadway, she was in the cast of Paula Vogel's Indecent, and was nominated for a Tony Award as the director of the musical Those Were the Days (which she also choreographed and starred in).[5]
In April 2019, Reissa directed, co-created and featured as a vocalist in From Shtetl to Stage: A Celebration of Yiddish Music and Culture at Carnegie Hall.[6]
Reissa has also sung in numerous American musicals in the theatre, including Tintypes, The Rise of David Levinsky, and Fiddler on the Roof.
Reissa's singing in Yiddish has earned her the title of the "Reigning Queen of Yiddish Cabaret".[7] Additionally, she has been featured in Pearls of Yiddish Song, Remember the Children, Going Home: Gems of Yiddish Song, Songs in the Key of Yiddish, and in 2015, Just Add Water (Eleanor Reissa and Di Boyess).[8]
She has collaborated with Frank London of the Klezmatics and the Klezmer Brass Allstars, to perform together internationally. Along with the Klezmatics, she recorded Vilde Mekhaye (Wild Ecstasy) in 2016. They have also performed in festivals and venues including Berlin, Toronto, Paris, Vienna, and in New York City at Joe's Pub and Feinstein's/54 Below.[9]
She and Frank London performed their program Kurt Weill in New York at the Kurt Weill Festival in Dessau, (Germany) featuring Anthony Coleman, Greg Cohen, and Billy Martin.[10]
For her playwriting, Reissa received the Dorothy Silver Playwriting Award for Wishful Thinking, and then was shortlisted as a finalist for her play, Thicker Than Water a few years later. Reissa's plays have been published in an anthology called The Last Survivor and other Modern Yiddish Plays. Her play, The Last Dinosaur, was listed as finalist for the Actors Theatre of Louisville’s Heideman Award.[11]
Reissa was commissioned to adapt the story The Adventures of Hershele Ostropolyer (also known as Hershel of Ostropol) as a musical for the National Yiddish Theatre, Folksbiene, where it was played for two consecutive seasons, starring Mike Burstyn. It was then performed in Israel at Yiddishpiel, the same location where it was nominated for the Israel Prize as well. After this, Reissa was also commissioned by Yiddishpiel to adapt the 1937 film, Yidl Mitn Fidl to a stage musical in 2014, where it has a successful run.
In 2019, Reissa also received a commission by the National Yiddish Theatre, Folksbiene to translate Paddy Chayevsky’s The Tenth Man, into Yiddish (with Harvey Varga), which was slated for the 2020 season with her as director.[12]
She also worked on the libretto for the opera Taibele and Her Demon, based on the short story by Isaac Bashevis Singer, with composer, Judd Greenstein[13]
After the death of her mother, Reissa found letters sent by her father, a survivor of Auschwitz, in the late 1940s to her mother, a survivor of a slave labor camp in Uzbekistan.[14] She eventually had them translated and traveled to Germany, later writing The Letters Project: A Daughter’s Journey, which was published by Post Hill Press in 2022.[14][15]
Year | Project | Role | Venue |
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1989 | Cat on a Hot Tin Roof | Assistant Director | Broadway |
1991 | Those Were the Days | Director and Choreographer | Broadway |
1992 | A Stranger Among Us | Choreographer | Sidney Lumet feature film |
1994 | All That Glitters | Director | Women's Project NYC |
1995 | Cowgirls | Director and Choreographer | Minetta Lane Theatre |
1995 | My Fair Lady | Assistant Director | Broadway |
1996 | The Last Supper | Director | Florida |
1997 | Nothing like a Dame | Director | Broadway |
1998 | Songs of Paradise | Choreographer | The Public Theater |
1999 | Avenue X | Director and Choreographer | Marin Theatre Company |
2000 | Over the Rainbow: Yip Harburg's America | Director and Choreographer | Prince Music Theater |
2001 | Diana of Dobson's | Director | Mint Theater |
2001 | Screams of Kitty Genovese | Director | O'Neill Festival |
2001 | Song of the Turtle Dove | Director | O'Neill Festival |
2002 | Out of Sterno | Director | Cherry Lane Theatre |
2003 | Syncopation | Director and Choreographer | Marin Theatre Company |
2004 | Echoes of the War | Director | Mint Theater |
2005 | The Skin Game (play) | Director[16] | Mint Theater |
2006 | Blood Drive | Director | O'Neill Festival |
2006 | Desperate Measures (musical) | Director | New York Musical Theatre Festival |
2006 | Soldier's Wife | Director | Mint Theater |
2009 | How to Succeed in Business Without Really Trying (musical) | Director | White Plains Performing Arts Center |
2010 | Hershele Ostropolyer | Director | National Yiddish Theatre Folksbiene |
2013 | The Threepenny Opera | Director and Choreographer | Colgate University |
2014 | The Scutley papers | Director | Workshop with Sally Field |
2015 | Yidl Mitn Fidl | Director | Yiddishpiel |
2016 | From Moses to Mostel | Director | The Town Hall |
2016 | God of Vengeance | Director | La MaMa Experimental Theatre Club |
2019 | Carnegie Hall's From Shtetl to Stage | Director and co-creator | Stern Auditorium |
Year | Project | Director |
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1978 | One Flew Over the Cuckoo's Nest (play) | Lee Sankowich |
1982 | Tintypes | Larry Deckle |
1983 | Godspell | Darwin Knight |
1983 | Songs of Paradise | Avi Hoffman |
1984 | Isn't it Romantic | Susan Rosenstock |
1985 | Bar Mitzvah Boy | Robert Kalfin |
1987 | The Rise of David Levinsky | Sue Lawless |
1990 | Those Were the Days | Self |
1998 | Lost in Yonkers | Peter Lawrence |
2002 | Yentl | Robert Kalfin |
2010 | Soul Doctor | Holly-Anne Ruggiero |
2012 | The Material World | Stephan Brackett |
2013 | East Toward Home | David Schecter |
2016 | God of Vengeance | Eleanor Reissa |
2017 | Indecent | Rebecca Taichman |
2018 | The Sisters Rosensweig | Casey Stangel |
2020 | We All Fall Down | Melia Bensussen |
Year | Project | Director | Movie/TV |
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1992 | A Stranger Among Us | Sidney Lumet | Feature |
1994 | Limboland | Lol Creme | Comedy Central |
2010 | Calling it Quits | Anthony Tarsitano | Indie Feature |
2011 | Trophy Kids | Josh Sugarman | Indie Feature |
2013 | Unforgettable | Jean de Segonzac | CBS |
2019 | Minyan | Eric Steel | Indie Feature |
2019 | The Plot Against America | Minkie Spiro | HBO Miniseries |